| 2018 | The Un-Heroic Act: Representaions of Rape in Contempoary Women's Art in the U.S., Wendy Vogel, Art Forum, pp.214-15, Dec. 2018 |
| Best fo 2018: Our Top 20 NYC Art Shows, Hyper Allergic, Dec. 18 | |
| How A Woman Beceoms A Lake, Jia Tolentino, The New Yorker, Nov. 2 | |
| Regarding Rape: Monika Fabijanska discusses The Un-Heroic Act, Karen E. Jones, Art Critical, Nov.10, | |
| Representing Rape: A Powerful Show at John Jay College, by Erik La Prade, Art Critical, Nov. 10 | |
| The Un-Heroic Act, Shiva Gallery, Kristen Racaniello, Art Papers, Nov. 1 | |
| Three exhibitions to see in New York this weekend, by Margaret Carrigan and Victoria Stapley-Brown, The Art Newspaper, Nov. 1 | |
| The Un-Heroic Act, interview by Alissa Valles, Bomb Magazine, Oct. 31, 2018 | |
| The Un-Heroic Act-Anya and Andrew Shiva Gallery, by Erik La Prade, Newswhistle, Oct. 24, 2018 | |
| Intersections, Aslaug M. Juliussen, Nordorsk Kunsmuseum | |
| Suku-polvien ketju, Seija Lappalainen, Lapin Kansa, Oct. 19 | |
| Place of Origin, Rovaniemi Art Museum | |
| online: Female Artists Strip Rape of Its 'Heroic' Underpinnings, New York Times, Oct. 16 | |
| Female Artists On Rapes Emotional Toll, Jillian Steinhauer, New York Times, Oct .19, C19 | |
| Art in the Age of Sexual Disruption, by Eleanor Heartney, Art in America Jan. 2019, PP. 19-22 | |
| The Un-Heroic Act: Representations of Rape in Contempoary Women's Art in the U.S., Jessica Holmes, The Brooklyn Rail, Oct. 3. | |
| The Un-Herioc Act, Anya and Andrew Shiva Gallery, John Jay College of Crininal Justice, 66-67 | |
| Soft Materialities: Maureen Gruben, Sonya Kelliher-Combs, Joar Nango, Britt Gallpen, Inuit Art Quarterly, June 15 | |
| Beads On A Thread, David Winfield Norman, First American Art, Summer 2018, 42-47 | |
| Perlevaerker, vaerkende perler, Anmeldelse, Kunsten.nu Journal, 1-8 | |
| 2017 | Native Art Now, Eiteljorg Museum, 4, 45,172, 175-76, 184-85 |
| Finding Place in Alaska, North, Nadia Jackinsky Sethi, Julie Decker, 54-55, 265-266 | |
| What Lies Beneath, Elizabeth Hutchinson, Art in America 72-75 | |
| Sonya Kelliher-Combs: Iñupiaq-Athabascan Interdisciplinary Artist, David Winfield Norman, First American Art Magazine 13 | |
| In the Galleries: Reclaiming Cultural Identity, Mark Jenkins, Washington Post | |
| 2016 | Much Wider than a Line, SITE Santa Fe |
| Without Boundaries: Visual Conversations, Anchorage Museum | |
| Sonya Kelliher-Combs: Something Left Behind, Michael Abatemarco, Pasatiempo, July 15 | |
| Getting Down to Earth at SITE Santa Fe's much wider than a line, Nora Kovacs, Berlin Art Link, July 19 | |
| Reviews: much wider than a line, Diane Armitage, THE Magazine Santa Fe p. 45 Sept. | |
| 10 Great Artists to See at the SITE Santa Fe Biennial, Ben Davis, artnews, July 15 | |
| A Native American Exhibit Examines America with a Magnified Lens, Diana Shi, Vice, July 12 | |
| 2015 | Sonya Kelliher-Combs, Recent Work, Jaffe-Friede Gallery, Dartmouth College |
| 2014 | Native art now: zeitgeno?ssische indigene Kunst, Nordamerika Native Museum |
| 2013 | Sakahan: International Indigenous Art, National Gallery of Canada |
| Map(ing): Multiple Artists Printing, Mary Hood, American Indian Art Magazine | |
| 2012 | True North: Contemporary Art of the Circumpolar North, Anchorage Museum |
| Sonya Kelliher-Combs, Heather Igloliorte, in New Native Art Criticism, Manifestations, Museum of Contemporary Native Art | |
| Alaska Native Artistic Revitalization (PhD dissertation), Nadia Sethi, University of Washington | |
| 2011 | This is Displacement (catalogue), Center for the Arts |
| Sonya Kelliher-Combs' Art of Lines and Shadows, Babette Herrmann, Indian Country Today | |
| Another's Skin, Malin Wilson-Powell, Albuquerque Journal | |
| 2010 | Secret Skin, Aleta Ringlero, in HIDE: Skin as Material and Metaphor (catalogue), National Museum of the American Indian |
| Sonya Kelliher-Combs, Amy Chan and Kate Duncan, American Indian Art Magazine | |
| Review: HIDE: Skin as Material and Metaphor, Beverly Sanders, American Craft 70:4 | |
| 2009 | Freeze: Alaska Design Forum, International Gallery of Contemporary Art |
| 2008 | Beautiful Exploration of Cultural Roots, The Anchorage Daily News, Don Decker |
| Manifest Sovereignty: Diversity and Dialogue at the Eiteljorg Museum, American Indian Art Magazine, W. Jackson Rushing III | |
| Four Exhibits of Alaska Native Art: Women Artists Breaking Boundaries, Nadia Jackinsky, N. Paradoxa 22 | |
| 2007 | Diversity and Dialogue: The Eiteljorg Fellowship for Native American Fine Art, Eiteljorg Museum of American Indian and Western Art |
| Con-Census: Points of View Exhibition, Sonya Kelliher-Combs, Anchorage Museum | |
| Guarded Secrets: The Art of Sonya Kelliher-Combs, Julie Decker, American Indian Art Magazine | |
| Secrets and Truth, Tom Collins, Albuquerque Journal | |
| Sonya Kelliher-Combs, Dotti Indyke, Southwest Art | |
| A Refreshing Wade into a Whirlpool of Social Issues, Don Decker, The Anchorage Daily News | |
| 2006 | Unraveled Secrets, Asia Freeman, Institute of American Indian Arts Museum of Contemporary Native Art |
| Review: Changing Hands: Art Without Reservation, Andrea Dinoto, American Craft 66:1 | |
| 2005 | Changing Hands: Art Without Reservation, Museum of Arts and Design |
| 120 Definitions of Temptation, Cheong Ju Craft Biennial | |
| Stepping Beyond Identity: The Secret's Destination in the Work of Sonya Kelliher-Combs, Lisa Favero, Anchorage Museum | |
| Changing Hands, Ellen Napiura Taubman and David Revere McFadden, Southwest Art | |
| Open Secrets, Dawnell Smith, The Anchorage Daily News | |
| Sonya Kelliher-Combs, Solo Exhibition, Susan Morgan, Museum Today | |
| 2004 | Encyclopedia of Native American Artists, Scottsdale Museum of Contemporary Art |
| The Future is Now, Julie Decker, The Anchorage Press | |
| Percent, Susan Morgan, The Anchorage Daily News | |
| 2002 | Artist Explores Life's Secret Dialogue, Eva Gage, The Anchorage Daily News |
| The Nouveau Native, John Carlos Villani, The Rep | |
| New at the Heard, Gina Cavallo-Collins, Shade | |
| What is Indian Art? Richard Nilsen, The Arizona Republic | |
| The Good Ol'Days Weren't so Perfect, Julie Decker, The Anchorage Daily News | |
| 2001 | Found and Assembled in Alaska, Decker Art Services |
| Layers of Personal History, Riley Woodford, The Juneau Empire | |
| Art of Outrage, Mike Dunham, Anchorage Daily News | |
| Creating Art, Sonya Kelliher-Combs, Art Matters | |
| Sonya Kelliher-Combs Interview, Ken DeRoux, Bulletin | |
| 2000 | If a Painter Paints in the Forest, is it Art? Jordan Marshall, Anchorage Press |
| Art from the Gut, Mike Dunham, Anchorage Daily News | |
| Innard Meaning, Linda Holt, The Arizona Republic | |
| 1993 | Arts from the Arctic, IANA and the Anchorage Museum of History and Art |
| Traditions' Mix Has Wide Scope, Mary Beth Michaels, Fairbanks Daily News-Miner | |
| Pushing the Boundaries, Susan Palmer," Anchorage Daily News |