“Sonya Kelliher-Combs Merges Collective Knowledge and Native Alaskan Heritage in Mixed Media,” Kate Mothes, Colossal,

December 26

“Flag-Waving Takes on New Meaning at Paula Coopers Gallery,” Deborah Solomon, New York Times, October 10

“MARK,” Sonya Kelliher-Combs, Ed. Julie Decker, Hirmer Publishers, Munich, Germany

“From Alaska to Brazil, Indigenous artists explore their histories and future visions,” Sean Foley, CBC, January 10

“Twelve Art Shows to See in New York This December,” Hrag Vartanian, Valentina Di Liscia. Hyperallergic, November 30

“Sonya Kelliher-Combs, Indigenous artworks engaged with ideas of containment,” Interview with Louis Bury, Bomb Magazine, October 2

“Visceral: Verity Legacy Identity, Alaska Native Gut Knowledge and Perseverance,” Alaska State Libraries and Museums

“Circumpolar art exhibition opens at Ottawas’ SAW Gallery,” Madalyn Howitt, Nunatsiaq News

“The Hand of Native American Women, Visible at Last,” Tess Thackara, New York Times pp.18-19

“Soft Materialities: Maureen Gruben, Sonya Kelliher-Combs, Joar Nango,” Britt Gallpen, Inuit Art Quarterly, June 15

“How A Woman Becomes A Lake,” Jia Tolentino, The New Yorker, Nov. 2

"Native Art Now," Eiteljorg Museum, pp.4, 45,172, 175-76, 184-85

“What Lies Beneath,” Elizabeth Hutchinson, Art in America, pp.72-75

“Sonya Kelliher-Combs: Iñupiaq-Athabascan Interdisciplinary Artist,” David Winfield Norman, FirstAmerican Art Magazine, pp.13

Much Wider than a Line, SITE Santa Fe

“Sonya Kelliher-Combs: Something Left Behind,” Michael Abatemarco, Pasatiempo, July 15